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And flipping from Quark to Indesign was a no brainer. Like Ari, I’ve been using Illustrator for eons. Changes within Indesign to placed Illustrator or Photoshop files are as easy as ‘Edit Original’.ĬC Libraries make organizing graphics and color between Illustrator and Indesign very simple.
Adobe illustrator vs indesign pdf#
Turning a INDD file into a PDF for proofing and repro these days is pain free. Page masters with fancy headers and footers [with sections and numbers, no less) aren’t complicated. Indesign style sheets for paragraphs and characters are easy to manage. The presentations to sell logo and brand concepts - or business cards - are created in Illustrator and the pitch is assembled in Indesign. Indesign is a big, easy-to-manage vessel for assembling content.Įven on those rare occasions when I do something as mundane as a fleet of customer business cards, I use Indesign. It was a great refresher.įor advertising and print, I use Illustrator or Photoshop for creating vector or bitmapped elements that are placed into Indesign. To continue reading, please log in above, or sign up for a premium membership today! Thanks for supporting CreativePro!įeatures of both nicely compared. This article from InDesign Magazine is for premium subscribers only.
![adobe illustrator vs indesign adobe illustrator vs indesign](https://awesomecontentcreator.com/wp-content/uploads/2018/07/artist-photographer-retouches-photo-on-computer-P7X3Y42.jpg)
So, without further ado, let’s get ready to rumble!
![adobe illustrator vs indesign adobe illustrator vs indesign](http://www.jasonhoppe.com/uploads/5/8/0/2/58026421/8194125_orig.png)
Ari will take the side of Illustrator, and Mike will advocate for InDesign. In this article, we’ll have a spirited head-to-head debate on the relative strengths and weaknesses of Illustrator and InDesign to help you choose the winner for any project you’re undertaking. So it can be hard for many users to choose one or the other for a particular project. To this day, Illustrator remains InDesign’s greatest rival, because despite their obvious differences, there is a great amount of overlap in the two programs. For another rival, an elder sibling in the Adobe family, was always threatening to steal away the hearts and minds of designers. Once InDesign got up to speed there was no stopping it, and for many designers the days of QuarkXPress faded from memory like an unused keyboard shortcut.īut even with its primordial foe vanquished, InDesign could never rest easy. This young upstart crackled with energy, intelligence, and a burning desire to dominate the desktop. But, around the turn of the millennium a new challenger arose from the ashes of PageMaker-yes, it was InDesign. QuarkXPress eventually came out on top and reigned supreme for many years. It was QuarkXPress versus Aldus PageMaker in a battle for the ages (and pages). This article appeared in Issue 147 of InDesign Magazine.Īt the dawn of desktop publishing, in days of myth and mullets, two ’80s titans dueled it out to determine who would rule the world of design and layout.